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This is what test tube said about this release
«Isaac Cordal, multidisciplinary plastic artist, member of the Alg-a community, has always featured a metamorphic affinity with the human body through his works, be it with photography (Ola Calma, 2004) or be it with sound installations (Re-poso, 2004). In this work, titled ‘Love them, Hate them’, Cordal accompanies himself by Maureen Kinnear, the voice that serves as a pendulum for the sampled sound oscillations which Isaac works on and filters out. In this EP, which takes us into the fantastic world of Antye Greie’s (AGF) e-poetry, and also to several cities, Maina sampled the most intimate and inhabited urbanity, the pain, the innocence, the screams and the revolt, which are here transformed and (re)created in a complete exercise of emotional self-closure. The voice and the silence hand-to-hand, with the machine acting as language.» - Bruno Barros
This is what people before you wrote about this release
Cloudboy, 29-6-2006
The vocals really make this release, throwing words as potent conveyors to a structure supported by skeletal electronics that erupt along a frighteningly pleasing and spacious melody. In some places glitchy, the tunes are fractured enough to evade predictability with their continuity cut sharply into focus - trimmed to the bone. The vocals evaporate towards the end of the album replaced by technological debris that washes over you in an itchy broken pulse of a beat. Only faint echoes of 'Come On' can be heard slipping under the distant waves as you are compelled to play it all again..
     
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