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«First of all, Frango were born: a free-rock trio from Barreiro - south bank of the Tagus river -, keen on unaligned electric improvisations, that got some credit among the new generation of underground Portuguese music of the 21st century. Then, the attention first gathered around the trio, passed on to Rui Pedro Dâmaso, one of Frango guitar players who revealed himself in his solo outfit “PCF Moya”. On the first recording “Surgeon Surgeon” (2005, Searching Records), circles of improvised guitar sounds are sketched and notes are lost inside maze-like paths or simple spirals. On the second release “Untitled / God Slot EP” (2006, Merzbau), the atmosphere is denser and shapes are fuzzier, one suspects a more rigorous creation process, the guitar is sparser, the approach is not so direct. Now, on this new “Mouth for Sore Sight”, Dâmaso shows us a different path. The guitar isn’t there anymore, now there’s only effect pedals and tweaked mikes. To emphasize this difference, the artist name is slightly mutated: “Peacee F Moya”. Moved away from the untied notes which were characteristic of his previews works, “Mouth for Sore Sight” divides itself into two long tracks [“Four” and “Three (Exodic)”], two creation places that grow as they absorb small elements along the way. Here the work is all about the progressive adding of elements which sustain some immense spiral stairs made of sound. In the end, all that remains is an almost ghost-like ambience feel: almost, almost whispered slow-motion post-rock, Peacee F Moya is uncompromised freedom in permanent construction. “Lo-Fi isn’t an aesthetic statement, it’s the logical result of a somewhat disorganized working method”, Dâmaso once said. If disorder is in some way responsible for the creation of these unsuspected droopy textures, then let the world abandon once and for all that yuppie thing about organization.» - Nuno Catarino
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